Archive for education

UF Digital Assembly Symposium

image of flyer

Digital Platforms and the Future of Books

January 20 & 21, Smathers Library, Room 1A

As cultural and intellectual discourse becomes digitized at an ever-accelerating rate, what will become of books? According to several prominent literary theorists, the decline of print culture — “the civilization of the book” — makes us acutely aware of different kinds of writing that fit hand in glove with broadened notions of textuality. Contemporary scholarship across the humanities continues to interrogate the vitality of books in the twenty-first century. For instance, how have books shaped our conventional notions of authorship and commonplace reading practices? Looking ahead, how might the book serve as an interface metaphor for electronic textuality? Keen to digital platforms, the speakers featured in this symposium variously maintain that the book will play substantial roles in the development of reading and writing publics in an era of social media, digital scholarship, and networked communication.

Symposium Schedule

Friday 1/20/12
4:00—5:15 Elizabeth Swanstrom (Florida Atlantic University) “Power Zoom: Reading the Future Through the Lens of the Past”

Respondent: Ben DeVane, UF Digital Worlds Institute
5:30—6:45 David Blakesley (Clemson University) “The Beginning of Books?” – Respondent: Laurie Taylor (UF Digital Humanities Librarian)
7:00—9:00 Reception

Saturday 1/21/12
9:30—10:00 Coffee
10:00—11:15 Roundtable Discussion (Blakesley, Bolter, Harpold, Stein, Swanstrom, Taylor, Ulmer)
11:15—11:30 Break
11:30—12:45 Jay Bolter (Georgia Institute of Technology) “The End of Books?” – Respondent: Gregory Ulmer (UF English)
12:45—1:45 Lunch
2:00—3:15 Bob Stein (Institute for the Future of the Book) Title TBD – Respondent: Terry Harpold (UF English)

This event is being organized by the UF Digital Assembly with generous co-sponsership from the University Libraries, the Graduate Film Studies Group, and ImageText.

 

Some Questions About Procedural Literacy and Pedagogy

 

Some rights reserved by mutednarayan

The past few weeks of my digital research seminar has been spent trying to define the digital humanities and the role English academics can play in this hybrid field. Most of the us in the class have little technical experience with digital media beyond the interface. As a result most are reluctant to identify themselves as digital humanists, even if they study digital artifacts.

Last night, though, we had an engaging discussion about Critical Code Studies from a pedagogical perspective. Two texts in particular, Michael Mateas’s “Procedural Literacy: Educating the New Media Practitioner” and Mark Sample’s “Criminal Code: The Procedural Logic of Crime in Videogames” provided the foundation of this discussion.

These texts were well received because, for once, collectively we felt comfortable entering the DH conversation. This was odd since we identify ourselves as non-programmers. According to Mateas, procedural literacy is “the ability to read and write processes, to engage procedural representation and aesthetics, to understand the interplay between the culturally-embedded practices of human meaning-making and technically-mediated processes.” This was promising. If code is indeed an expressive medium that calls into question the role of authorship, audience, aesthetics, and such; then we do have something to offer.

Mark Sample’s piece gave us an opportunity to discuss how non-programmers might approach procedural literacy. Sample’s text examines the procedural rhetoric of crime in the game Micropolis. He argues that a close reading of underlying code can teach non-programming students how code can conceal and regulate human-interaction.
From this discussion, some interesting questions were brought up.

Here are a few:

  • How does one gain access to the source code of games?
  • Would limited access to open-source code create a CCS canon?
  • If a media scholar were to make Call of Duty, for instance, an object of study, would their analysis be incomplete because he or she does not have access to proprietary source code?
  • Who would teach a procedural literacy course? graduate students? specialists?
  • What department would such a course be housed if it were a general education requirement?
  • What would a procedural literacy Gen Ed curriculum look like?

While some students were still reluctant about teaching CCS without prior knowledge of a programming language, everyone understood the potential of engaging with procedurality. Those who were most reluctant likened the teaching of code to the discomfort of teaching grammar to ENC1101 students. While we didn’t get to definitive answers to the above questions. We understand that these questions are important and need further attention.

 

Arcade Fire Visualization

I created a data set for the lyrics of Arcade Fire’s 2004 album Funeral.

Try it for yourself: http://www-958.ibm.com/software/data/cognos/manyeyes/

Arcade Fire lyrics for Funeral

Many Eyes

http://www-958.ibm.com/v/92007

The Self-Indulgence of Tech Tools

After spending an exorbitant  amount of hours installing a multiuser plugin for a new course blog, it is finally complete. The decision to create my own social media network for my courses is due to the unreasonable price increase of Ning and my contempt for Blackboard.  I liked the usability of Ning; however, with the new price structure many features which I find essential where suddenly moved beyond my price range. (Do adjuncts have price ranges?)

There are other options, such as grou.ps, that appear to be comparable to Ning (and free) but when switching to another free site you run a risk of having to abandon ship once again when the company realizes it cannot afford to offer services for free.

While free is good for an adjunct, the opportunity to tinker with network settings after reading technical instructions and help forums provides so much pleasure. Let’s say it is a guilty pleasure.

The new MultiUser feature built in to the release of WordPress 3.0 was too good to pass over. Since I have 2 weeks before the new semester begins, I decided to use my Starbucks funds to purchase another domain hosting plan for my courses. Fatcow is the provider I use and I’m very happy with their services, features, and pricing. I even have enough money left over to purchase a  grande latte.

After setting up my blog database (which is extremely easy with Fatcow) I downloaded the Buddypress plugin. This plugin enables multiusers on a single WordPress blog, creating a social media network.  Initially something unexplainable went wrong with the install: a blank screen. After a few minutes of panic. I deleted the plugin from my server and reinstalled using a FTP client. Magically the reinstall worked. Go figure. Technology can be fickle.

To unlock the forums feature of Buddypress, you must first create a network and tinker with some code. Tinkering with code to understand the inner workings of tech tools is both frustrating and gratifying.  Some things along the way went wrong: missing files and error messages. But now the site is up and running and I have SuperAdmin powers on my dashboard.

Now, I only need to customize the content. The site will be an aggregate of 4 different courses and will allow students from different sections to connect outside of the classroom.

Perhaps it is merely self indulgence to spend hours setting up a site when tools are readily available, but as an academic with an interest in digital scholarship and pedagogy it is important for me to know how the technology I study works not just its affect.